Noto Photography

The project focuses on conflicting thoughts of the office worker wanting to escape his mundane world, and his obligation to his full time job. I use a Holgaroid to create these images. Using a Holgaroid is a new experiment, which will allow me to do emulsion lifts support my imagination. - Using a Holgaroid with Fuji instant FP-100C - my prints are 4"x4" inches on glass surface to create a hanging photo mobile. This technique is suitable for my project because the image will look like a dream. I present my works on the glass surface and make a hanging mobile. I would like to imagine the office worker sitting in the office and look at the mobile to see his daydream. Fuji instant emulsion lifts on glass surface look transparent, so I can see both sides. This is a new way for me to create my thesis, and the work will look unique which cannot be replicated.

These are my new images from Location Lighting class. I really like these pics a lot !! Check them out !!! Special thanks ;D You guys are the best !!!! Crystal Natsuko (Model) Pemie (Wardrobe Stylist) Judy (Makeup Artist) -- purple dress Makeup by Keke (Makeup Artist) -- black dress Hair by Steph (Hair Stylist)

As photographers our eyes have been trained to see things that many times go unnoticed. We also find ourselves at the edges of life, peering into worlds of beauty and nuance that are thriving in the crevices of creativity and imagination. These lost places, where humanity is bursting at the seams, are sanctuaries to forms of expression outside of our cultural and social norms. This assignment is all about exploring these dark crevices, frayed seams, and lost worlds that the everyday eye doesn't see or chooses not to see. Over the next week, try to document in three images something that is hidden, shunned, or forgotten. It is up to you to decide how to define the terms, and the main objective is to take the time to experience and capture something that moves your heart, not just your eye. Try to let go of your graphic eye, expectations about what makes a good photograph, and find something that moves you and is perhaps a part of you that might often be hidden. The